I can see already how a better understanding of colour and lighting will help my work... some of it is technical knowledge/science of why, and some of it is artsy "this is how you can manipulate colour even if it's not technically what you see". Both of which are very valid.
Not concerned about proportions or accuracy here, it was all about the color.
I'm particularly pleased with the nose on the first one... that rosy glowing look that comes from saturated color next to quite neutral midtones. Something I've appreciated a lot in other people's work but never really understood.
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